Musings – Page 6 – the Dig and Flow

Muscle Memory with a Pitchfork and Banjo

We are the music makers,

and we are the dreamers of dreams…

Arthur O’Shaughnessy

I keep my nails lopsided—long on the right hand, short on the left—just in case I find the time and gumption to play my banjo again. This house has never heard the bum-ditty of that spunky instrument.

The banjo has waited in its case through our construction dust last winter, hidden in the closet through a busy summer, and has been tugging at me this fall and winter. Finally, one late February day, I unzip the case.

I lift its perfect, round face into the light, imagining the words encircling the head of Pete Seeger’s banjo: This Machine Surrounds Hate and Forces It To Surrender. The time seems right for music. I wonder if I can still play it.

FullSizeRender — Photographed from Pete Seeger’s *How to play the 5-String Banjo*

My return to banjo stumbles along, but my fingers surprise me by how much they remember. I play clawhammer style. A left fingernail strikes a string, lifts, then strums, A high pluck of the thumb on the fifth string punctuates each strum. It’s an old-timey, sing-along sound that brings me pure delight as I create it.

Callouses form again on my left fingertips where they press the wire strings. Sometimes my hands even act independently of my brain, as if by instinct. But this is different from the instinct. Instinct drives my chickens to scratch forward, then step back and dart their beaks to the ground. My banjo-playing movements are learned with meticulous repetition. Once taught to my confused, unwilling muscles, this music-making seems to have entered my cells.

Our bodies store memories. The smell of your elementary school. Stubble on an unshaved cheek against your lips. A dog’s ears in your hands. Mint tea from the garden—sweet on your tongue, cold down your throat.

As spring approaches, callouses form again on my palms. I lever a pitchfork into two-feet of hay and petrified sheep turds that linger in a small corner room of our barn. The shove, pry, lift pattern plays old scenes in my mind of other places I’ve used a pitchfork or a shovel. Sweating in stalls as a teenager so horse-crazy I felt honored to handle their feces. Turning compost in our red dirt garden in Alabama. On this farm, I push wheelbarrow loads to the garden, where the well-cured manure will fuel our vegetables.

We are always teaching our bodies something, whether or not it’s what we want to learn. I have learned to ride a bicycle, to drive a car, to tie surgical knots. I have learned to carry my shoulders high and tense and to bite my fingernails (must resist…need them for the banjo).

Movements repeated, like my fingers across this keyboard, become unconscious. We cannot unlearn them, although they can fade with disuse. I wonder what other actions I repeat without realizing that I’m coding them into my body.

Maybe one day I will play the banjo as fluently as I ride a bicycle. It will keep me company and make me laugh. It will invite other voices and their own harmonies. The banjo has no agenda. It offers me no guilt or frustration, only song. It takes my moods and stress and fears and creates something more hopeful. My banjo needs its own slogan—one that rings true for me. Maybe: This Machine Digs Into Shit and Turns It To Fertilizer.

The Barn Politic

In a stiff wind, the north wall flaps. I worry, mid-January, that it will take flight, leaving the rest of the barn to fend for itself. Feeling fatalistic, I shrug and leave it up to nature and gravity to decide if we’ll still have a barn by spring. Andrew opts for strategy and action. He angles some beams from floor to wall, tethering the pieces, for now.

This barn is older than our 1890-built house. Dutch settlers built barns like this one all over upstate New York, many now crumbling. The Dutch Barn style features decorative ventilation holes near the peaks and, often, horizontally lapped siding. These barns typically have an H-shaped support structure, and an open threshing floor on the upper level. Thick, hand-hewn beams pegged together make these barns surprisingly difficult to dismantle, even in extreme disrepair. That’s what we’re hoping, anyway.

We bought this barn sight unseen, since the innards were filled—wall-to-wall, and on the lower level, floor-to-ceiling—with the previous owner’s junk. The main barn was strong enough, anyway, to hold six vehicles surrounded impassably by stuff. With the junk gone, we have taken stock.

Here is a barn with potential for great usefulness and charm, carrying almost two centuries of history. Here is a barn that could house cows and horses and enough hay to feed them all winter. Here is a barn with some major deterioration. A sad and tilty barn. A nearly naked, aged barn, still holding onto its dignity.

We scrutinize our priorities. What is our responsibility to the past and the present? What kind of structure do we need, going into the future? How important are beauty and history? How much can we commit—time, money, other projects pushed aside—to this central, even guiding, element of this enterprise? What makes sense, and what do our guts tell us?

Sometimes you have to tear apart the old structures and build a new, working system. Raze the existing edifices, corrupted by time and rot and small problems ignored into larger ones. Or, perhaps what stands can remain, with rigorous—and costly—renovations. The foundation might need to be reset, and the crooked framework hauled into line.

All of this work demands honest courage and discerning vision. Deny this work, and the whole, rat-eaten construction can crash, despite its strong potential. Approach this work brazenly, with a lack of heart, bringing only a destructive energy, and the results will be ugly. I am pondering big decisions that define a place. I am thinking about presidency and candidates.

We decide to save the barn and to tear it down. Almost half of the building consists of three added-on pieces, which are not worth saving. The main part of the barn will suit our needs, for holding livestock and hay and the soul of this farm. This summer, and probably next summer, too, we will do our best to transform it backwards and forwards into a noble, effective structure. We hope it will offer good lives to those who depend on us and make this farm a welcoming, secure place. May it also be so for our nation.

Warmth in February

Few of us are as joyful as a dog on her farm. We head out into negative ten degrees so I can get fresh air, which is to say, watch my dog be joyful. With my grandfather’s scarf and her furry toes, we hurry into the sharp wind towards the woods. She merges with white ground and dark trees.

Stepping out of the woods at the hilltop, I keep my back to the wind. The sky shines blue-white. I can feel my skin making vitamin D as I face the sun. It is worth breaking hibernation to feel lifted.

The next morning, our thermometer will read negative thirty. Our kitchen sink pipes will freeze, despite the space heater aimed at them overnight. The car will think we’re joking when we turn the key. Our chickens and ducks, penned in the barn, will be absolutely fine.

Our chickens are mostly cold-hardy breeds, but negative thirty seems to be asking a lot of their feathers. I marvel at their toughness. Then I see a hawk, a crow, and some sparrows in the woods and field. Some birds can handle winter.

Birds can fluff their feathers, trapping air for insulation. The skin on their naked legs can defy the cold. In dangerous low temperatures, birds can reroute blood from their extremities to their organs. Some birds can lower their metabolism, slowing their bodies into a hibernation-type state called torpor. They survive what seems unsurvivable.

I am thinking about resilience. Sometimes our lives seem as fragile as birds, but we rise anyway. How does a person survive a cold, dangerous time? One February night could freeze us solid, robbing us of our known world, or it could galvanize some warmth inside us. Do we respond by instinct, our hearts pulsing life to our most necessary parts? Do some of us survive through torpor, numb and still until the thaw?

Perhaps we, like our chickens, get out of the wind and huddle together, sharing the heat of our bodies to endure the night. This deep cold is a story we have shared. The next day, or the next year, or twenty-five years later, we can be amazed that we remain fluid and tender and animate.

Resilience must be a gift from our animal selves. I think of a three-dog night, when humans gauged coldness by how many dogs snuggling around us we needed to live until dawn. We seek connection for survival. We do not contain resilience in our rational minds; it comes from elsewhere.

Despite degrees in the negatives, this February day is radiant. My blood flows warm after the uphill hike, flushing my cheeks and sweating my armpits. I am grinning at the dog whirling across our high field, laughing as she snuffles under the snow and lifts her tufted ears in surprise. This dog is all warmth. I feel alive.

Between Contentment and Complaint

At the back of our property, the bottom corner, I hear the trees talking. It’s a sound somewhere between contentment and complaint, a creaking of two lives rubbing against each other. The wind whips the dog’s happy breath upwards in small clouds. She and I are exploring beyond our boundaries, walking and just walking some more.

Despite long underwear and heavy coat, I will feel chilled for an hour after this walk. It’s a rare day this winter that is truly cold. Winter’s brown-grey palatte seems more vibrant in the woods than in town, or even at the farmstead. In the woods, winter seems like exactly what should be happening, instead of a bleak time of waiting for spring.

Our neighbor’s two-track carries me around the original 100+ acres that once belonged to our house and barns, but is now divided between them and us. They are good neighbors. Walking this loop, I am accepting their invitation, given a year ago. For several strides, I envy them these woods, where they touch the edge of a large wetland.

At this boundary, I stop and the dog freezes—heads high, ears alert, scanning the swamp. The otherness here holds both of us. Wetlands always make me feel this way, as if I’m touching velvet on an antler—wild texture and mystery. The not-woods, not-lake, not-field opens my imagination. My envy dissolves when I remember our neighbors’ invitation. The gift of this place has been offered to me, too.

This is early January, and it will be my last hike for a month. While I hike, my parents are watching the kids. While my boots crunch ice, Andrew sweats in a different forest—Amazon rainforest—with teeming greens and inexorable dampness. He helps to lead fourteen undergraduate students well beyond their previous experiences. When he returns, we will spend three weeks flattened by flu and respiratory infections. February will find us hatching slowly back into regular activities.

For now, following the edge of this wetland connects me to Andrew, who taught me to see this type of landscape. I can outline our relationship by connecting the dots from Onion Bottom in Indiana through bogs in the Northwoods all the way to swamps in southern Georgia. We’ve found carnivorous sundews and pitcher plants, and read stories in water-loving trees like willow or cypress, or trees that drown when the water rises. We try to understand the places that are neither terra firma nor open water.

The dog, as always, covers triple my distance as we turn away from the low, wet acres and head uphill. We emerge from the woods, skirt a pasture, then crest the hill through our large, stubbled field, which stood tall and green-gold with rye this summer. I’ll return from my hike’s solitude to the house full of our kids and my parents. Our lives will keep rubbing against each other, creaking like trees, offering texture and mystery.

Will We Insist?

On a curve of Lake Road lies a dead cat. I see her while driving to the elementary school in the morning. She is a bold calico, with clear patches of black and orange on white. The vehicle that killed her left her body mostly intact, but very, very still.

I say nothing on that first pass, allowing the kids’ music to fill the car. Adjusting our course to avoid hitting her, I press my lips together.

December astonishes us by imitating early November. Bare trees, bare ground tinged with leftover green-golds instead of white, and warmish air on our skin. Driving up the next rise, I tell the kids to look at the sky, where a rent in the pewter clouds seems to pour orange light onto a hill across the valley. No, Sam tells me. It looks like a fire, reaching up from the hill and burning a hole in the clouds. I agree. It goes both ways.

Returning from the school, I drive past the cat again. She is unmoved. I see animals die all the time. My throat constricts. I cannot face this single death; there is so much dying. So much being killed.

I chew on my thoughts, as I do too much these days. Lately, I drive past my usual turns, forget where I’m supposed to be going, put the milk in the cupboard, leave the grocery list at home and fumble through the store. I leave off household tasks, distracted by Stella wanting a story, Sam needing Lego help, Skip flopping on my feet, anybody needing to poop. I want to embrace each moment, then my mind flits around.

We arrive home to my coffee, canine exuberance, and sun on our own hill. I head out to our barn, where our birds greet me raucously. They spend nights in their spacious new coop. Now I open the coop door and step aside for the chickens and ducks to stampede comically for the barnyard, taking fast steps and gossiping amongst themselves. They lay their eggs where we can’t find them these days, crafty birds, but they dodge the big red-tailed hawk, too, so I appreciate their instincts—to hide, to keep safe.

When it’s time for preschool, Stella and I drive up Lake Road again. Few cars have passed the cat on the quiet road this morning. She remains.

This time I stop. This time, I have noticed a piece of her story. Beside her lies a mouse, equally dead, that she must have been carrying across the road. In the line of duty, comes to my mind. Going about her work. Blindsided. Coming down this road, I sometimes drive too fast, wielding the car around the curves.

Every day I ask myself what it means to live gently, but firmly. We can choose what we aim at. We choose who will receive our ammunition—money, bullets, words, food, shelter. Each of us is so powerful. Will we insist on destroying each other? Will we insist on love?

I bend over the cat. I tug her, stiff, into the roadside leaves. This small gesture means nothing, but strangely reassures me. I pause, then lift the mouse and nestle it under her shattered chin.