The Bones Are Just Bones

2015-02-04 17.16.34

Reaching behind the baseboard heater under the bay window, sweeping my fingers between studs, I discover bones. I am scooping out plaster chunks and piles of old insulation churned into nests of mouse droppings. The new insulation can then fluff into the whole wall space, trapping baseboard heat inside the house. To this end, I excavate.

I might be starting to feel a little grumpy about it—this cloying gray dust, these insidious pink insulation fibers, mouse turds. The mess comes in waves, never fully receding. I lift crunching fistfuls from inside the walls. There’s no shortcut to doing this work right. Except that we have shortcut this project, hiring an excellent guy named Jimmy, and the walls will soon be finished.

New sheetrock, skillfully smoothed with mud, will hide this house’s secrets, discovered as we have stripped off layers. In one seemingly solid wall, a window still hung, covered by a plastic blind, then old sheetrock, then faux wood paneling, then paint. Surrounding the bay window, the studs dangled in mid-air—a floating wall, left unsupported when someone chopped a hole to add the large window. And between the studs once lived metropolitan numbers of mice.

From among tufts of insulation, I extract the skeleton. It is headless, but exquisitely intact. The spine remains whole; each caudal vertebra stacks into a long curving tail, dwindling to the last eyelash-sized bone. One leg is separated at the knee, but not broken, and each tiny digit still hinges on the complete foot. On my next cautious dip into the wall, I retrieve the skull. Curved incisors, miniature molars.

Now I arrange it in the morning light, clearing a space among tools on the bay window ledge. Breath held, I watch it curl there, a small life that passes behind a wall. How is it possible to be so fragile, yet remain nearly whole, even among the rubble?

Near where the skeleton emerged, I find a papery section of snakeskin. Another life passes through the wall, outgrowing itself, stretching and splitting open, leaving its own evidence of survival. I place the thin layer of snake beside the intricate mouse. The sun, lifting well above trees now, warms the dust around them.

Kneeling in the light, I succumb to the details for long moments. This does not complete the job very fast, but I am doing my work.

I will keep this skeleton and shard of skin to show the kids, who seem only politely interested. Later, 3-year-old Stella will announce calmly, while eating a turkey leg, “The bones are just bones.” And I will think that she is right, and finally toss both mouse and snake into the compost, to start over.

2015-02-15 15.40.21

Ode to the Shovel

2015-01-29 16.49.38

O shovel, with yellow blade and curved handle for sparing my unspared back. It glides my driveway like a typewriter, old technology, back and forth.

Like vacuuming, which my mom once told me organizes your brain. So I welcome repetition—lean, push, walk, lift, lean, push. By spring, my thoughts will be color-coded and alphabetical, sitting neatly on dust-free shelves.

Like pulling a paddle through a lake. Canoeing Minnesota’s Boundary Waters for our honeymoon, I notched my paddle each day until twenty-eight tallies gouged the pale wood. On this first, honeymoon winter at the farm, I feel the urge to mark my shovel. To etch its plastic each day, or maybe cover it with decals, like a well-traveled guitar case.

This work, I realize, is for our cars, which I envy as I brush thick snow from their windows and headlights, then clear a path before them. Such service we provide them.

Shoveling in tandem, we stay close enough to talk, but mostly don’t talk. Work towards each other, then one of us moves a dozen paces upslope and starts fresh. He doesn’t rush, conserving energy with efficient form. His shoulders square, he pushes and hoists snow calmly onto growing piles. I hunch my shoulders, two hands gripping, bulldozing. My feet hustle. I barely contain exuberance. In work, we each echo our own parents.

O shovel, light enough for kids to help. It meanders ahead of Sam, carving a path all over, up and down, looping the car six times. Stella places one mitten on the handle, walks with me. At the driveway’s edge, she screws up her face and grunts her hand into the air, assisting my lift and toss.

Heavy snow makes me feel both real and charmed. Dormant muscles awaken to the snow’s relentless coming, to its sparkling weight. So much devotion to moving piles of water out of our way. I imagine the garden this summer and how much we might plant when I swap this shovel for another, dig soil, and turn all this shoveling energy into food.

2015-01-29 16.50.432015-02-01 23.44.04

When Everything Is Cancelled

2015-02-01 21.38.48Full of Georgia sweet potatoes that we baked in crisp, soft-centered medallions for lunch, we have enough energy to head outside. That is, we have enough energy to spend 20 minutes herding our kids into the layers of clothing, snowpants, hats, mittens, scarves, coats, and boots required in zero degree, still-snowing weather. Sam wears my grandpa Andrew Lehman’s scarf, which I wore in college, crocheting a bright orange patch to keep it alive. Stella wears the hat my husband Andrew wore when we first started dating in college; she likes its dangly pom-pom.

2015-02-01 21.39.10Well-packaged, we clomp out through our disheveled mudroom and into the snow. It fell most of the night and all morning. It keeps coming, now in small fast bits that tingle our cheeks, and now in bigger dreamy flakes that circle and move sideways. The driveway needs shoveling for the fourth time, but it’ll wait.

We have sleds.

We have a rip-ready 5 year old and a semi-convinced 3 year old and all of the enthusiasm from our own childhoods juicing our untrained limbs. Neither kid can make much headway in snow up to their waists, so we tote them. Stella, wary of the sled, will only ride piggyback. Sam squawks excitedly riding uphill on the sled pulled by Andrew.

2015-02-01 21.47.022015-02-01 21.51.25

In fact, it’s slow sledding, this nearly two feet of softness. We leave the sleds and hike uphill towards a tall drift, wading through snow that varies from calf-deep to butt-deep.

2015-02-01 22.28.14Moving with resistance feels satisfying. I have always loved being immersed in water. Even frozen into billions of unique, feathery crystals, this water holds us. It cushions, forgiving us when we flail and fall. We can swim. I feel buoyant.

 

 

2015-02-01 22.15.29I feel out of breath. We flop down at the base of the drift. Soon, Andrew tosses Sam on top of it, and they make a sliding board, which delights even our skeptical Stella, who forgets her frozen nose while sliding. Then, Andrew digs like a badger, emerging with his beard frosted from inside a cave that Sam can nearly sit up in.

2015-02-01 22.15.06

Thrashing back downhill, we carry our kids and the warmth of exertion. My ears are full of my breathing, creaking snow under my boots, and the swish of my waterproof pants, but the world is quiet when I pause.

Gulps of the air taste like our well water, fresh and cold. Our legs and sleds have plowed tracks across the smooth hill, and we follow ourselves back to the house.2015-02-01 22.32.28

 

Tomorrow morning, the wind will have swept the glowing hillside clean. The only deep tracks around the house will be from a rabbit that must’ve gone in over his ears with each hop.

2015-02-02 15.39.50

Tonight the House Breathes

2015-01-06 23.31.50

On Sunday, I woke last and felt luxurious. Lying on my side, I opened my eyes to the cat sitting on all of her feet in the windowsill. The morning light had sharp edges, and something seemed peculiar. I raised my head and greeted the cat. Her eyes squinted happily at me. Then I realized: She was sitting in the sill of a half-open window.

“Whoa! Sam and Stella!” I called, swinging my legs off the bed and arms towards the window simultaneously. I headed to find them, but detoured into another bedroom to close its wide-open window. They had tiptoed everywhere, opening windows.2015-01-08 21.40.50

The kids bounced around their bedroom like shiny-cheeked crickets, chirping about the fresh air and how they were Not Cold, in fact they were hot. Both windows in their room gaped, inviting winter indoors. I spoiled their fun and invited them to go outdoors instead, which, of course, they declined.  I can’t blame them; it really is cold out there.

All of the windows are closed tonight, though you can feel a slight breeze through the kitchen, where mud is drying on newly hung sheetrock. It isn’t the coldest night we’ve had—just zero degrees—but the wind is teaching me how porous an old house really is.

Tonight the house breathes. I can hear its inhalations with every gust of wind through the cedars that circle, hunched, beside it. The house inhales through outlets, stove vent, window edges, places behind the cupboards, the space between its chiseled grey stone foundation and our wooden floors. Like a salamander, it seems to breathe through its skin.

2015-01-06 23.41.16A cold cold night feels like a thunderstorm, beautiful and menacing. As we sleep, pipes freeze in the kitchen, despite a thermostat set at sixty degrees. Snow blows across the fields like steam. On our mudroom floor, mice killed in traps freeze solid so they must be pried free in the morning.

I am amazed that any animals are left alive outside after a night like this one, but we will see them tomorrow. Surviving with their small bodies in fur or feathers. Or we will see them in spring, if they endure winter by slowing their hearts towards death, just a few beats per minute, their temperatures guttered, their bodies nearly turned to stone.

We, the awake and naked species, require long underwear and heated rooms to make it through winter. We also make potato soups with mushrooms, flavored with marjoram, thyme, and a pinch of nutmeg, to spoon thickly into our mouths. We stack library books twenty high, and snuggle under blankets to read aloud Farmer Boy, transporting ourselves to Almanzo Wilder’s upstate New York farm with stolid barns warmed by horses and oxen. And our kids run circles around our small oak table in our big square kitchen, skipping and galloping, with Stella yelling, “I’m warming up my body!”

2015-01-12 16.42.37

How To Make a Big Hairy Mess

2015-01-08 19.00.40

Crowbar in hand, mask over nose and mouth, climb the stepladder. The ladder should straddle a combination of tarps and plastic sheets, which will scootch and fold over so that nails and plaster fill the baseboard heaters despite your best efforts. Take a hammer up the ladder, too.

Give the plaster wall a few experimental hammer whacks, because you can. Learn that this will not remove the plaster. Apply the crowbar to the wall edges, still testing to see what makes it come apart. Peer closely at the small hairs protruding from chalky grey plaster. Real horses grew those hairs. Wonder about the people harvesting horse hair from manes and tails of all those horses.

Consider the person who nailed up each lath, then mixed horse hair and plaster to spread so it oozed between the wooden strips, locking the other plaster layers to the vertical surface—keying it in place. In 1890, as someone plastered these cracks, early cars were emerging onto roads, traveling at about 5 mph, and telephones were beginning to arrive into homes. The Wright brothers were tinkering with bicycles and dreaming of flight. Women would not be able to vote for another 30 years, and black voting rights wouldn’t be a reality for another 75 years. The year ended with the Battle of Wounded Knee, and floral wallpaper was chosen to cover the imperfections in these walls.

Realize you are not getting the job done. If you have gorilla-strength arms, cram the crowbar into the wall and yank off the wooden lath strips and plaster all at once, with terrific crashing noises. If you are me, wiggle the crowbar under the plaster, peeling it off in chunks. Let the chunks fall and explode in loud billows of dark grey dust. Watch the dust dance in winter sunlight reflected brightly from the snow into the bay window.

Then wedge the crowbar under each lath, prying them one by one from the uneven wall studs. The nails will be square and irregular, and you will later pluck a handful of the straightest ones from the wreckage to keep because they seem to tell a story. The lath boards will sproing from the wall in your hands. Yank and twist them free. Remember how to use your gross motor skills, developed in childhood and ignored by us adults who rarely get to use our whole bodies for a task. Let your arms be strong; release your inner gorilla.

Now the air will become thick with dust. Warm to the work, finding your rhythm up and down the ladder. Watching your feet to avoid nails, move the ladder without removing from it your hammer, which slips and bounces off your surprisingly strong glasses, and for a moment, think the ceiling has fallen. Recover, unharmed, and, crowbar in hand, mask over nose and mouth, climb the stepladder again.

2015-01-08 18.44.28